{"id":87,"name":"Lara Demori","url":"","description":"\u00e8 Marcello Rumma Fellow in Contemporary Italian Art al Philadelphia Museum of Art dove segue progetti curatoriali e di ricerca relativi all\u2019arte italiana dal dopoguerra ad ora. Ha ottenuto il titolo di dottore di ricerca in storia dell\u2019arte contemporanea presso The University of Edinburgh nel 2017 con una tesi intitolata \u201cArt Degree Zero: Piero Manzoni and H\u00e9lio Oiticica\u201d. Fino all\u2019agosto 2018 \u00e8 stata Goethe-Institut Postdoctoral Fellow al museo Haus der Kunst di Monaco di Baviera dove ha lavorato al progetto di Okwui Enwzor \"Postcolonial Art, 1955-1980.\" In particolare ha svolto ricerche su arte e femminismo in Sud America, focalizzandosi sulla rappresentazione del corpo come strumento politico.","link":"https:\/\/antinomie.it\/index.php\/author\/lara-demori\/","slug":"lara-demori","avatar_urls":{"24":"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/03\/Lara-Demori-profilo-scaled-e1584635095823.jpg?resize=150%2C150&ssl=1","48":"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/03\/Lara-Demori-profilo-scaled-e1584635095823.jpg?resize=150%2C150&ssl=1","96":"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/03\/Lara-Demori-profilo-scaled-e1584635095823.jpg?resize=150%2C150&ssl=1"},"meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lara Demori, Author at Antinomie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/antinomie.it\/index.php\/author\/lara-demori\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"profile\" \/>\n<meta property=\"og:title\" content=\"Lara Demori, Author at Antinomie\" \/>\n<meta property=\"og:url\" content=\"https:\/\/antinomie.it\/index.php\/author\/lara-demori\/\" \/>\n<meta property=\"og:site_name\" content=\"Antinomie\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/03\/Lara-Demori-profilo-scaled-e1584635095823.jpg?fit=2016%2C2425&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"2016\" \/>\n\t<meta property=\"og:image:height\" content=\"2425\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@antinomie_it\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"ProfilePage\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/lara-demori\\\/\",\"url\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/lara-demori\\\/\",\"name\":\"Lara Demori, Author at Antinomie\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/#website\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/lara-demori\\\/#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/lara-demori\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/lara-demori\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/antinomie.it\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Archives for Lara Demori\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/#website\",\"url\":\"https:\\\/\\\/antinomie.it\\\/\",\"name\":\"Antinomie\",\"description\":\"scritture e immagini\",\"publisher\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/antinomie.it\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/#organization\",\"name\":\"Antinomie\",\"url\":\"https:\\\/\\\/antinomie.it\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/antinomie.it\\\/wp-content\\\/uploads\\\/2023\\\/05\\\/logo_antinomie_cerchio.png?fit=3543%2C3543&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/antinomie.it\\\/wp-content\\\/uploads\\\/2023\\\/05\\\/logo_antinomie_cerchio.png?fit=3543%2C3543&ssl=1\",\"width\":3543,\"height\":3543,\"caption\":\"Antinomie\"},\"image\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/antinomie.it\\\/\",\"https:\\\/\\\/x.com\\\/antinomie_it\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/#\\\/schema\\\/person\\\/20dce84dd9c41fb86a8f3667fae59de9\",\"name\":\"Lara Demori\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/dae5ff847399b84cfcff0d648f654d4fe4ca6131ff326892e65316da82de7e05?s=96&d=blank&r=g7af12c7f1914baa4aa01c40ec6519002\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/dae5ff847399b84cfcff0d648f654d4fe4ca6131ff326892e65316da82de7e05?s=96&d=blank&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/dae5ff847399b84cfcff0d648f654d4fe4ca6131ff326892e65316da82de7e05?s=96&d=blank&r=g\",\"caption\":\"Lara Demori\"},\"description\":\"\u00e8 Marcello Rumma Fellow in Contemporary Italian Art al Philadelphia Museum of Art dove segue progetti curatoriali e di ricerca relativi all\u2019arte italiana dal dopoguerra ad ora. Ha ottenuto il titolo di dottore di ricerca in storia dell\u2019arte contemporanea presso The University of Edinburgh nel 2017 con una tesi intitolata \u201cArt Degree Zero: Piero Manzoni and H\u00e9lio Oiticica\u201d. Fino all\u2019agosto 2018 \u00e8 stata Goethe-Institut Postdoctoral Fellow al museo Haus der Kunst di Monaco di Baviera dove ha lavorato al progetto di Okwui Enwzor \\\"Postcolonial Art, 1955-1980.\\\" In particolare ha svolto ricerche su arte e femminismo in Sud America, focalizzandosi sulla rappresentazione del corpo come strumento politico.\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/lara-demori\\\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Lara Demori, Author at Antinomie","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/antinomie.it\/index.php\/author\/lara-demori\/","og_locale":"it_IT","og_type":"profile","og_title":"Lara Demori, Author at Antinomie","og_url":"https:\/\/antinomie.it\/index.php\/author\/lara-demori\/","og_site_name":"Antinomie","og_image":[{"width":2016,"height":2425,"url":"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/03\/Lara-Demori-profilo-scaled-e1584635095823.jpg?fit=2016%2C2425&ssl=1","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@antinomie_it","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"ProfilePage","@id":"https:\/\/antinomie.it\/index.php\/author\/lara-demori\/","url":"https:\/\/antinomie.it\/index.php\/author\/lara-demori\/","name":"Lara Demori, Author at Antinomie","isPartOf":{"@id":"https:\/\/antinomie.it\/#website"},"breadcrumb":{"@id":"https:\/\/antinomie.it\/index.php\/author\/lara-demori\/#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/antinomie.it\/index.php\/author\/lara-demori\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/antinomie.it\/index.php\/author\/lara-demori\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/antinomie.it\/"},{"@type":"ListItem","position":2,"name":"Archives for Lara Demori"}]},{"@type":"WebSite","@id":"https:\/\/antinomie.it\/#website","url":"https:\/\/antinomie.it\/","name":"Antinomie","description":"scritture e immagini","publisher":{"@id":"https:\/\/antinomie.it\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/antinomie.it\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/antinomie.it\/#organization","name":"Antinomie","url":"https:\/\/antinomie.it\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/antinomie.it\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2023\/05\/logo_antinomie_cerchio.png?fit=3543%2C3543&ssl=1","contentUrl":"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2023\/05\/logo_antinomie_cerchio.png?fit=3543%2C3543&ssl=1","width":3543,"height":3543,"caption":"Antinomie"},"image":{"@id":"https:\/\/antinomie.it\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/antinomie.it\/","https:\/\/x.com\/antinomie_it"]},{"@type":"Person","@id":"https:\/\/antinomie.it\/#\/schema\/person\/20dce84dd9c41fb86a8f3667fae59de9","name":"Lara Demori","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/dae5ff847399b84cfcff0d648f654d4fe4ca6131ff326892e65316da82de7e05?s=96&d=blank&r=g7af12c7f1914baa4aa01c40ec6519002","url":"https:\/\/secure.gravatar.com\/avatar\/dae5ff847399b84cfcff0d648f654d4fe4ca6131ff326892e65316da82de7e05?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/dae5ff847399b84cfcff0d648f654d4fe4ca6131ff326892e65316da82de7e05?s=96&d=blank&r=g","caption":"Lara Demori"},"description":"\u00e8 Marcello Rumma Fellow in Contemporary Italian Art al Philadelphia Museum of Art dove segue progetti curatoriali e di ricerca relativi all\u2019arte italiana dal dopoguerra ad ora. Ha ottenuto il titolo di dottore di ricerca in storia dell\u2019arte contemporanea presso The University of Edinburgh nel 2017 con una tesi intitolata \u201cArt Degree Zero: Piero Manzoni and H\u00e9lio Oiticica\u201d. Fino all\u2019agosto 2018 \u00e8 stata Goethe-Institut Postdoctoral Fellow al museo Haus der Kunst di Monaco di Baviera dove ha lavorato al progetto di Okwui Enwzor \"Postcolonial Art, 1955-1980.\" In particolare ha svolto ricerche su arte e femminismo in Sud America, focalizzandosi sulla rappresentazione del corpo come strumento politico.","mainEntityOfPage":{"@id":"https:\/\/antinomie.it\/index.php\/author\/lara-demori\/"}}]}},"elementor_introduction":"","_links":{"self":[{"href":"https:\/\/antinomie.it\/index.php\/wp-json\/wp\/v2\/users\/87","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antinomie.it\/index.php\/wp-json\/wp\/v2\/users"}]}}