{"id":425,"name":"Aldo Tagliaferri","url":"","description":"\u00e8 nato a Milano nel 1931; \u00e8 stato a lungo redattore, poi direttore editoriale della casa editrice Feltrinelli. Fra le sue pubblicazioni, \u201cBeckett e l\u2019iperdeterminazione letteraria\u201d (Feltrinelli 1967 e 1979), \u201cL\u2019estetica dell\u2019oggettivo\u201d (Feltrinelli 1968), \u201cFabulous Ancestors. Stone Carvings from Sierra Leone and Guinea\u201d (Africana Publishing 1974), \u201cL\u2019invenzione della tradizione\u201d (Spirali 1985), \u201cIl clandestino. Vita e opere di Emilio Villa\u201d (DeriveApprodi 2004 e Mimesis 2016), \u201cLa via dell\u2019impossibile. Le prose brevi di Beckett\u201d (Edup 2006) e \u201cPresentimenti del mondo senza tempo. Scritti su Emilio Villa\u201d (Argolibri 2022). Ha curato fra l\u2019altro le \u201cLettere\u201d di Ezra Pound (Feltrinelli 1980), le \u201cOpere poetiche\u201d, \u201cArte dell\u2019uomo primordiale\u201d e \u201cAttributi dell\u2019arte odierna\u201d di Emilio Villa (Coliseum 1989, Abscondita 2007 e Le Lettere 2008), \u201cDisiecta\u201d e la \u201cTrilogia\u201d di Samuel Beckett (Egea 1991 e Einaudi 1996), \u201cCose che sono parole che restano\u201d di Corrado Costa (Diabasis 1995). Con Giorgio Barbaglia ha scritto \u201cUno e due. Indagini sul teatro dell\u2019onnipotenza\u201d (Sipiel 1998) e con Chiara Portesine \u201cEmilio Villa e i suoi tempi. Finestre per la monade\u201d (Mimesis 2016).","link":"https:\/\/antinomie.it\/index.php\/author\/aldo-tagliaferri\/","slug":"aldo-tagliaferri","avatar_urls":{"24":"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2023\/01\/Tagliaferri-profilo.jpg?resize=150%2C150&ssl=1","48":"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2023\/01\/Tagliaferri-profilo.jpg?resize=150%2C150&ssl=1","96":"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2023\/01\/Tagliaferri-profilo.jpg?resize=150%2C150&ssl=1"},"meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Aldo Tagliaferri, Author at Antinomie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/antinomie.it\/index.php\/author\/aldo-tagliaferri\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"profile\" \/>\n<meta property=\"og:title\" content=\"Aldo Tagliaferri, Author at Antinomie\" \/>\n<meta property=\"og:url\" content=\"https:\/\/antinomie.it\/index.php\/author\/aldo-tagliaferri\/\" \/>\n<meta property=\"og:site_name\" content=\"Antinomie\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2023\/01\/Tagliaferri-profilo.jpg?fit=500%2C667&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"500\" \/>\n\t<meta property=\"og:image:height\" content=\"667\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@antinomie_it\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"ProfilePage\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/aldo-tagliaferri\\\/\",\"url\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/aldo-tagliaferri\\\/\",\"name\":\"Aldo Tagliaferri, Author at Antinomie\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/#website\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/aldo-tagliaferri\\\/#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/aldo-tagliaferri\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/aldo-tagliaferri\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/antinomie.it\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Archives for Aldo Tagliaferri\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/#website\",\"url\":\"https:\\\/\\\/antinomie.it\\\/\",\"name\":\"Antinomie\",\"description\":\"scritture e immagini\",\"publisher\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/antinomie.it\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/#organization\",\"name\":\"Antinomie\",\"url\":\"https:\\\/\\\/antinomie.it\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/antinomie.it\\\/wp-content\\\/uploads\\\/2023\\\/05\\\/logo_antinomie_cerchio.png?fit=3543%2C3543&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/antinomie.it\\\/wp-content\\\/uploads\\\/2023\\\/05\\\/logo_antinomie_cerchio.png?fit=3543%2C3543&ssl=1\",\"width\":3543,\"height\":3543,\"caption\":\"Antinomie\"},\"image\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/antinomie.it\\\/\",\"https:\\\/\\\/x.com\\\/antinomie_it\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/#\\\/schema\\\/person\\\/b7355d0ff541db0892248e72910a33f5\",\"name\":\"Aldo Tagliaferri\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/6b0f8aab518fae394cea091f3e2dc57437218caab03fb00a10b3d3d16ff26e28?s=96&d=blank&r=g6117e85b2eaebedd454900b25483afca\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/6b0f8aab518fae394cea091f3e2dc57437218caab03fb00a10b3d3d16ff26e28?s=96&d=blank&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/6b0f8aab518fae394cea091f3e2dc57437218caab03fb00a10b3d3d16ff26e28?s=96&d=blank&r=g\",\"caption\":\"Aldo Tagliaferri\"},\"description\":\"\u00e8 nato a Milano nel 1931; 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Fra le sue pubblicazioni, \u201cBeckett e l\u2019iperdeterminazione letteraria\u201d (Feltrinelli 1967 e 1979), \u201cL\u2019estetica dell\u2019oggettivo\u201d (Feltrinelli 1968), \u201cFabulous Ancestors. Stone Carvings from Sierra Leone and Guinea\u201d (Africana Publishing 1974), \u201cL\u2019invenzione della tradizione\u201d (Spirali 1985), \u201cIl clandestino. Vita e opere di Emilio Villa\u201d (DeriveApprodi 2004 e Mimesis 2016), \u201cLa via dell\u2019impossibile. Le prose brevi di Beckett\u201d (Edup 2006) e \u201cPresentimenti del mondo senza tempo. Scritti su Emilio Villa\u201d (Argolibri 2022). Ha curato fra l\u2019altro le \u201cLettere\u201d di Ezra Pound (Feltrinelli 1980), le \u201cOpere poetiche\u201d, \u201cArte dell\u2019uomo primordiale\u201d e \u201cAttributi dell\u2019arte odierna\u201d di Emilio Villa (Coliseum 1989, Abscondita 2007 e Le Lettere 2008), \u201cDisiecta\u201d e la \u201cTrilogia\u201d di Samuel Beckett (Egea 1991 e Einaudi 1996), \u201cCose che sono parole che restano\u201d di Corrado Costa (Diabasis 1995). Con Giorgio Barbaglia ha scritto \u201cUno e due. Indagini sul teatro dell\u2019onnipotenza\u201d (Sipiel 1998) e con Chiara Portesine \u201cEmilio Villa e i suoi tempi. 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