{"id":387,"name":"Chiara Vecchiarelli","url":"","description":"\u00e8 ricercatrice, critica e curatrice. Sta conducendo una ricerca sulla funzione ontogenetica dell\u2019immagine presso l\u2019\u00c9cole normale sup\u00e9rieure di Parigi dove ha concepito il seminario di ricerca \u201cLe Pr\u00e9sent de l\u2019image\u201d. Ha scritto numerosi saggi e articoli e curato libri con editori quali Mousse Publishing, Flash Art, Humbodlt Books, Nero, Cura, Skira, Sternberg Press, Hauser&amp;Wirth Publishing tra gli altri. \r\n\u00c8 la curatrice di \u201cWhat is the Color of Green?\u201d (con Bored Curators United, Parigi, 2021); \u201cSoft Hair\u201d (Parigi, 2021); \u201cHeels\u201d, Milano (2021); \u201cUps and Downs a Flipped Planet\u201d (Vienna, 2020); degli \u201cSpecial Projects\u201d per Arte Fiera a Bologna (\u201cPerforming the Gallery\u201d, 2018 \/ \u201cTime Specific Artist Lectures, Site Specific Artist Lectures\u201d, 2017) e del programma di conferenze e proiezioni \u201cL\u2019immagine-cosa\/The Image-Thing\u201d a Palazzo Grassi, (Venezia 2016); ha curato mostre presso il Museo MAN, Nuoro (2016); il Museo di Villa Croce, Genova (2016); MeetFactory, Praga (2015); The Emily Harvey Foundation, New York (2013-2012); Ca\u2019 Zenobio, Venezia (\u201cSimone Forti\u201d, 2010 \/ \u201cCage-Kaprow-Fluxus\u201d, 2009), Fondazione Bevilacqua La Masa, Venezia (2010-2009); Tophane-i Amire Cultural Centre, Istanbul (2010); Palazzo delle Prigioni, Venezia. Ha curato il programma espositivo della Emily Harvey Foundation, NYC (2013-2012), co-curato una sezione del public program della Biennale di Istanbul (2015), ed \u00e8 stata \"Curatorial Researcher\u201d per dOCUMENTA (13) e \u201cCurator of the Research Section\u201d, documenta, Kassel (2012-2009). \u00c8 stata uno dei curatori selezionatori del Premio Furla (2015) e del premio Maxxi-Bulgari (2017). \u00c8 membro del comitato coordinatore del \u201cForum dell\u2019arte contemporanea italiana\u201d e parte del comitato di redazione della rivista \u201cOboe \u2014 Journal on Biennials and Other Exhibitions\u201d. Ha fondato con Silvia Guerra \u201cBored Curators United\u201d.","link":"https:\/\/antinomie.it\/index.php\/author\/chiara-vecchiarelli\/","slug":"chiara-vecchiarelli","avatar_urls":{"24":"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2022\/08\/RID-CHIARA-VECCHIARELLI-Photo-by-Philippe-Mangeot.jpg?resize=150%2C150&ssl=1","48":"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2022\/08\/RID-CHIARA-VECCHIARELLI-Photo-by-Philippe-Mangeot.jpg?resize=150%2C150&ssl=1","96":"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2022\/08\/RID-CHIARA-VECCHIARELLI-Photo-by-Philippe-Mangeot.jpg?resize=150%2C150&ssl=1"},"meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Chiara Vecchiarelli, Author at Antinomie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/antinomie.it\/index.php\/author\/chiara-vecchiarelli\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"profile\" \/>\n<meta property=\"og:title\" content=\"Chiara Vecchiarelli, Author at Antinomie\" \/>\n<meta property=\"og:url\" content=\"https:\/\/antinomie.it\/index.php\/author\/chiara-vecchiarelli\/\" \/>\n<meta property=\"og:site_name\" content=\"Antinomie\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2022\/08\/RID-CHIARA-VECCHIARELLI-Photo-by-Philippe-Mangeot.jpg?fit=300%2C299&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"300\" \/>\n\t<meta property=\"og:image:height\" content=\"299\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@antinomie_it\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"ProfilePage\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/chiara-vecchiarelli\\\/\",\"url\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/chiara-vecchiarelli\\\/\",\"name\":\"Chiara Vecchiarelli, Author at Antinomie\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/#website\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/chiara-vecchiarelli\\\/#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/chiara-vecchiarelli\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/chiara-vecchiarelli\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/antinomie.it\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Archives for Chiara Vecchiarelli\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/#website\",\"url\":\"https:\\\/\\\/antinomie.it\\\/\",\"name\":\"Antinomie\",\"description\":\"scritture e immagini\",\"publisher\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/antinomie.it\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/#organization\",\"name\":\"Antinomie\",\"url\":\"https:\\\/\\\/antinomie.it\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/antinomie.it\\\/wp-content\\\/uploads\\\/2023\\\/05\\\/logo_antinomie_cerchio.png?fit=3543%2C3543&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/antinomie.it\\\/wp-content\\\/uploads\\\/2023\\\/05\\\/logo_antinomie_cerchio.png?fit=3543%2C3543&ssl=1\",\"width\":3543,\"height\":3543,\"caption\":\"Antinomie\"},\"image\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/antinomie.it\\\/\",\"https:\\\/\\\/x.com\\\/antinomie_it\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/#\\\/schema\\\/person\\\/d35bd6ee5fc034d1f886edead65299a4\",\"name\":\"Chiara Vecchiarelli\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/95c3336ca73908c34c94f988b95e230cec6536085b68fa7ab0867d62898e686f?s=96&d=blank&r=gfc169a0e4dec29922ab21f1ae29d2331\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/95c3336ca73908c34c94f988b95e230cec6536085b68fa7ab0867d62898e686f?s=96&d=blank&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/95c3336ca73908c34c94f988b95e230cec6536085b68fa7ab0867d62898e686f?s=96&d=blank&r=g\",\"caption\":\"Chiara Vecchiarelli\"},\"description\":\"\u00e8 ricercatrice, critica e curatrice. Sta conducendo una ricerca sulla funzione ontogenetica dell\u2019immagine presso l\u2019\u00c9cole normale sup\u00e9rieure di Parigi dove ha concepito il seminario di ricerca \u201cLe Pr\u00e9sent de l\u2019image\u201d. Ha scritto numerosi saggi e articoli e curato libri con editori quali Mousse Publishing, Flash Art, Humbodlt Books, Nero, Cura, Skira, Sternberg Press, Hauser&amp;Wirth Publishing tra gli altri. \u00c8 la curatrice di \u201cWhat is the Color of Green?\u201d (con Bored Curators United, Parigi, 2021); \u201cSoft Hair\u201d (Parigi, 2021); \u201cHeels\u201d, Milano (2021); \u201cUps and Downs a Flipped Planet\u201d (Vienna, 2020); degli \u201cSpecial Projects\u201d per Arte Fiera a Bologna (\u201cPerforming the Gallery\u201d, 2018 \\\/ \u201cTime Specific Artist Lectures, Site Specific Artist Lectures\u201d, 2017) e del programma di conferenze e proiezioni \u201cL\u2019immagine-cosa\\\/The Image-Thing\u201d a Palazzo Grassi, (Venezia 2016); ha curato mostre presso il Museo MAN, Nuoro (2016); il Museo di Villa Croce, Genova (2016); MeetFactory, Praga (2015); The Emily Harvey Foundation, New York (2013-2012); Ca\u2019 Zenobio, Venezia (\u201cSimone Forti\u201d, 2010 \\\/ \u201cCage-Kaprow-Fluxus\u201d, 2009), Fondazione Bevilacqua La Masa, Venezia (2010-2009); Tophane-i Amire Cultural Centre, Istanbul (2010); Palazzo delle Prigioni, Venezia. Ha curato il programma espositivo della Emily Harvey Foundation, NYC (2013-2012), co-curato una sezione del public program della Biennale di Istanbul (2015), ed \u00e8 stata \\\"Curatorial Researcher\u201d per dOCUMENTA (13) e \u201cCurator of the Research Section\u201d, documenta, Kassel (2012-2009). \u00c8 stata uno dei curatori selezionatori del Premio Furla (2015) e del premio Maxxi-Bulgari (2017). \u00c8 membro del comitato coordinatore del \u201cForum dell\u2019arte contemporanea italiana\u201d e parte del comitato di redazione della rivista \u201cOboe \u2014 Journal on Biennials and Other Exhibitions\u201d. Ha fondato con Silvia Guerra \u201cBored Curators United\u201d.\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/chiara-vecchiarelli\\\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Chiara Vecchiarelli, Author at Antinomie","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/antinomie.it\/index.php\/author\/chiara-vecchiarelli\/","og_locale":"it_IT","og_type":"profile","og_title":"Chiara Vecchiarelli, Author at Antinomie","og_url":"https:\/\/antinomie.it\/index.php\/author\/chiara-vecchiarelli\/","og_site_name":"Antinomie","og_image":[{"width":300,"height":299,"url":"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2022\/08\/RID-CHIARA-VECCHIARELLI-Photo-by-Philippe-Mangeot.jpg?fit=300%2C299&ssl=1","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@antinomie_it","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"ProfilePage","@id":"https:\/\/antinomie.it\/index.php\/author\/chiara-vecchiarelli\/","url":"https:\/\/antinomie.it\/index.php\/author\/chiara-vecchiarelli\/","name":"Chiara Vecchiarelli, Author at Antinomie","isPartOf":{"@id":"https:\/\/antinomie.it\/#website"},"breadcrumb":{"@id":"https:\/\/antinomie.it\/index.php\/author\/chiara-vecchiarelli\/#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/antinomie.it\/index.php\/author\/chiara-vecchiarelli\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/antinomie.it\/index.php\/author\/chiara-vecchiarelli\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/antinomie.it\/"},{"@type":"ListItem","position":2,"name":"Archives for Chiara Vecchiarelli"}]},{"@type":"WebSite","@id":"https:\/\/antinomie.it\/#website","url":"https:\/\/antinomie.it\/","name":"Antinomie","description":"scritture e immagini","publisher":{"@id":"https:\/\/antinomie.it\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/antinomie.it\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/antinomie.it\/#organization","name":"Antinomie","url":"https:\/\/antinomie.it\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/antinomie.it\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2023\/05\/logo_antinomie_cerchio.png?fit=3543%2C3543&ssl=1","contentUrl":"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2023\/05\/logo_antinomie_cerchio.png?fit=3543%2C3543&ssl=1","width":3543,"height":3543,"caption":"Antinomie"},"image":{"@id":"https:\/\/antinomie.it\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/antinomie.it\/","https:\/\/x.com\/antinomie_it"]},{"@type":"Person","@id":"https:\/\/antinomie.it\/#\/schema\/person\/d35bd6ee5fc034d1f886edead65299a4","name":"Chiara Vecchiarelli","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/95c3336ca73908c34c94f988b95e230cec6536085b68fa7ab0867d62898e686f?s=96&d=blank&r=gfc169a0e4dec29922ab21f1ae29d2331","url":"https:\/\/secure.gravatar.com\/avatar\/95c3336ca73908c34c94f988b95e230cec6536085b68fa7ab0867d62898e686f?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/95c3336ca73908c34c94f988b95e230cec6536085b68fa7ab0867d62898e686f?s=96&d=blank&r=g","caption":"Chiara Vecchiarelli"},"description":"\u00e8 ricercatrice, critica e curatrice. Sta conducendo una ricerca sulla funzione ontogenetica dell\u2019immagine presso l\u2019\u00c9cole normale sup\u00e9rieure di Parigi dove ha concepito il seminario di ricerca \u201cLe Pr\u00e9sent de l\u2019image\u201d. Ha scritto numerosi saggi e articoli e curato libri con editori quali Mousse Publishing, Flash Art, Humbodlt Books, Nero, Cura, Skira, Sternberg Press, Hauser&amp;Wirth Publishing tra gli altri. \u00c8 la curatrice di \u201cWhat is the Color of Green?\u201d (con Bored Curators United, Parigi, 2021); \u201cSoft Hair\u201d (Parigi, 2021); \u201cHeels\u201d, Milano (2021); \u201cUps and Downs a Flipped Planet\u201d (Vienna, 2020); degli \u201cSpecial Projects\u201d per Arte Fiera a Bologna (\u201cPerforming the Gallery\u201d, 2018 \/ \u201cTime Specific Artist Lectures, Site Specific Artist Lectures\u201d, 2017) e del programma di conferenze e proiezioni \u201cL\u2019immagine-cosa\/The Image-Thing\u201d a Palazzo Grassi, (Venezia 2016); ha curato mostre presso il Museo MAN, Nuoro (2016); il Museo di Villa Croce, Genova (2016); MeetFactory, Praga (2015); The Emily Harvey Foundation, New York (2013-2012); Ca\u2019 Zenobio, Venezia (\u201cSimone Forti\u201d, 2010 \/ \u201cCage-Kaprow-Fluxus\u201d, 2009), Fondazione Bevilacqua La Masa, Venezia (2010-2009); Tophane-i Amire Cultural Centre, Istanbul (2010); Palazzo delle Prigioni, Venezia. Ha curato il programma espositivo della Emily Harvey Foundation, NYC (2013-2012), co-curato una sezione del public program della Biennale di Istanbul (2015), ed \u00e8 stata \"Curatorial Researcher\u201d per dOCUMENTA (13) e \u201cCurator of the Research Section\u201d, documenta, Kassel (2012-2009). \u00c8 stata uno dei curatori selezionatori del Premio Furla (2015) e del premio Maxxi-Bulgari (2017). \u00c8 membro del comitato coordinatore del \u201cForum dell\u2019arte contemporanea italiana\u201d e parte del comitato di redazione della rivista \u201cOboe \u2014 Journal on Biennials and Other Exhibitions\u201d. Ha fondato con Silvia Guerra \u201cBored Curators United\u201d.","mainEntityOfPage":{"@id":"https:\/\/antinomie.it\/index.php\/author\/chiara-vecchiarelli\/"}}]}},"elementor_introduction":"","_links":{"self":[{"href":"https:\/\/antinomie.it\/index.php\/wp-json\/wp\/v2\/users\/387","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antinomie.it\/index.php\/wp-json\/wp\/v2\/users"}]}}