{"id":169,"name":"Eleonora Marangoni","url":"","description":"(Roma, 1983) lavora come copywriter nel campo del design e della comunicazione. Specialista di Marcel Proust, ha esordito in Francia con un saggio sull'influenza della pittura italiana nella \u201cRecherche\u201d (\"Proust et la peinture italienne\", Michel de Maule, 2011) e ha pubblicato in Italia \"Proust. I colori del tempo\" (Electa 2014), dedicato al rapporto tra colore e letteratura. Il suo romanzo d'esordio \u201cLux\u201d (Neri Pozza, 2018) ha vinto il Premio Neri Pozza, il premio Opera Prima 2019 ed \u00e8 stato candidato al premio Strega 2019. Il suo ultimo saggio \u00e8 \u201cViceversa\u201d (Johan &amp; Levi, 2020) dedicato alle figure di schiena nell'arte, nel cinema e nella letteratura. (ph. Monica Cillario)","link":"https:\/\/antinomie.it\/index.php\/author\/eleonora-marangoni\/","slug":"eleonora-marangoni","avatar_urls":{"24":"https:\/\/secure.gravatar.com\/avatar\/93f74db4af7482fa449d3fda307993c92c2f1e9be8fa76bc7d1443536de5fd8b?s=24&d=blank&r=g","48":"https:\/\/secure.gravatar.com\/avatar\/93f74db4af7482fa449d3fda307993c92c2f1e9be8fa76bc7d1443536de5fd8b?s=48&d=blank&r=g","96":"https:\/\/secure.gravatar.com\/avatar\/93f74db4af7482fa449d3fda307993c92c2f1e9be8fa76bc7d1443536de5fd8b?s=96&d=blank&r=g"},"meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Eleonora Marangoni, Author at Antinomie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/antinomie.it\/index.php\/author\/eleonora-marangoni\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"profile\" \/>\n<meta property=\"og:title\" content=\"Eleonora Marangoni, Author at Antinomie\" \/>\n<meta property=\"og:url\" content=\"https:\/\/antinomie.it\/index.php\/author\/eleonora-marangoni\/\" \/>\n<meta property=\"og:site_name\" content=\"Antinomie\" \/>\n<meta property=\"og:image\" content=\"https:\/\/secure.gravatar.com\/avatar\/ccdbe7123c2137964e90be4a3b67cd4a?s=500&d=blank&r=g\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@antinomie_it\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"ProfilePage\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/eleonora-marangoni\\\/\",\"url\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/eleonora-marangoni\\\/\",\"name\":\"Eleonora Marangoni, Author at Antinomie\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/#website\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/eleonora-marangoni\\\/#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/eleonora-marangoni\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/eleonora-marangoni\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/antinomie.it\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Archives for Eleonora Marangoni\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/#website\",\"url\":\"https:\\\/\\\/antinomie.it\\\/\",\"name\":\"Antinomie\",\"description\":\"scritture e immagini\",\"publisher\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/antinomie.it\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/#organization\",\"name\":\"Antinomie\",\"url\":\"https:\\\/\\\/antinomie.it\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/antinomie.it\\\/wp-content\\\/uploads\\\/2023\\\/05\\\/logo_antinomie_cerchio.png?fit=3543%2C3543&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/antinomie.it\\\/wp-content\\\/uploads\\\/2023\\\/05\\\/logo_antinomie_cerchio.png?fit=3543%2C3543&ssl=1\",\"width\":3543,\"height\":3543,\"caption\":\"Antinomie\"},\"image\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/antinomie.it\\\/\",\"https:\\\/\\\/x.com\\\/antinomie_it\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/#\\\/schema\\\/person\\\/3e9a447d66e60f1d0fb36c6b057450e6\",\"name\":\"Eleonora Marangoni\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/93f74db4af7482fa449d3fda307993c92c2f1e9be8fa76bc7d1443536de5fd8b?s=96&d=blank&r=g0ab58626a34a757a7ef04a9a2b4dd57c\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/93f74db4af7482fa449d3fda307993c92c2f1e9be8fa76bc7d1443536de5fd8b?s=96&d=blank&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/93f74db4af7482fa449d3fda307993c92c2f1e9be8fa76bc7d1443536de5fd8b?s=96&d=blank&r=g\",\"caption\":\"Eleonora Marangoni\"},\"description\":\"(Roma, 1983) lavora come copywriter nel campo del design e della comunicazione. Specialista di Marcel Proust, ha esordito in Francia con un saggio sull'influenza della pittura italiana nella \u201cRecherche\u201d (\\\"Proust et la peinture italienne\\\", Michel de Maule, 2011) e ha pubblicato in Italia \\\"Proust. I colori del tempo\\\" (Electa 2014), dedicato al rapporto tra colore e letteratura. Il suo romanzo d'esordio \u201cLux\u201d (Neri Pozza, 2018) ha vinto il Premio Neri Pozza, il premio Opera Prima 2019 ed \u00e8 stato candidato al premio Strega 2019. Il suo ultimo saggio \u00e8 \u201cViceversa\u201d (Johan &amp; Levi, 2020) dedicato alle figure di schiena nell'arte, nel cinema e nella letteratura. (ph. Monica Cillario)\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/eleonora-marangoni\\\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Eleonora Marangoni, Author at Antinomie","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/antinomie.it\/index.php\/author\/eleonora-marangoni\/","og_locale":"it_IT","og_type":"profile","og_title":"Eleonora Marangoni, Author at Antinomie","og_url":"https:\/\/antinomie.it\/index.php\/author\/eleonora-marangoni\/","og_site_name":"Antinomie","og_image":[{"url":"https:\/\/secure.gravatar.com\/avatar\/ccdbe7123c2137964e90be4a3b67cd4a?s=500&d=blank&r=g","type":"","width":"","height":""}],"twitter_card":"summary_large_image","twitter_site":"@antinomie_it","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"ProfilePage","@id":"https:\/\/antinomie.it\/index.php\/author\/eleonora-marangoni\/","url":"https:\/\/antinomie.it\/index.php\/author\/eleonora-marangoni\/","name":"Eleonora Marangoni, Author at Antinomie","isPartOf":{"@id":"https:\/\/antinomie.it\/#website"},"breadcrumb":{"@id":"https:\/\/antinomie.it\/index.php\/author\/eleonora-marangoni\/#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/antinomie.it\/index.php\/author\/eleonora-marangoni\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/antinomie.it\/index.php\/author\/eleonora-marangoni\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/antinomie.it\/"},{"@type":"ListItem","position":2,"name":"Archives for Eleonora Marangoni"}]},{"@type":"WebSite","@id":"https:\/\/antinomie.it\/#website","url":"https:\/\/antinomie.it\/","name":"Antinomie","description":"scritture e immagini","publisher":{"@id":"https:\/\/antinomie.it\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/antinomie.it\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/antinomie.it\/#organization","name":"Antinomie","url":"https:\/\/antinomie.it\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/antinomie.it\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2023\/05\/logo_antinomie_cerchio.png?fit=3543%2C3543&ssl=1","contentUrl":"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2023\/05\/logo_antinomie_cerchio.png?fit=3543%2C3543&ssl=1","width":3543,"height":3543,"caption":"Antinomie"},"image":{"@id":"https:\/\/antinomie.it\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/antinomie.it\/","https:\/\/x.com\/antinomie_it"]},{"@type":"Person","@id":"https:\/\/antinomie.it\/#\/schema\/person\/3e9a447d66e60f1d0fb36c6b057450e6","name":"Eleonora Marangoni","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/93f74db4af7482fa449d3fda307993c92c2f1e9be8fa76bc7d1443536de5fd8b?s=96&d=blank&r=g0ab58626a34a757a7ef04a9a2b4dd57c","url":"https:\/\/secure.gravatar.com\/avatar\/93f74db4af7482fa449d3fda307993c92c2f1e9be8fa76bc7d1443536de5fd8b?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/93f74db4af7482fa449d3fda307993c92c2f1e9be8fa76bc7d1443536de5fd8b?s=96&d=blank&r=g","caption":"Eleonora Marangoni"},"description":"(Roma, 1983) lavora come copywriter nel campo del design e della comunicazione. Specialista di Marcel Proust, ha esordito in Francia con un saggio sull'influenza della pittura italiana nella \u201cRecherche\u201d (\"Proust et la peinture italienne\", Michel de Maule, 2011) e ha pubblicato in Italia \"Proust. I colori del tempo\" (Electa 2014), dedicato al rapporto tra colore e letteratura. Il suo romanzo d'esordio \u201cLux\u201d (Neri Pozza, 2018) ha vinto il Premio Neri Pozza, il premio Opera Prima 2019 ed \u00e8 stato candidato al premio Strega 2019. Il suo ultimo saggio \u00e8 \u201cViceversa\u201d (Johan &amp; Levi, 2020) dedicato alle figure di schiena nell'arte, nel cinema e nella letteratura. (ph. Monica Cillario)","mainEntityOfPage":{"@id":"https:\/\/antinomie.it\/index.php\/author\/eleonora-marangoni\/"}}]}},"elementor_introduction":"","_links":{"self":[{"href":"https:\/\/antinomie.it\/index.php\/wp-json\/wp\/v2\/users\/169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antinomie.it\/index.php\/wp-json\/wp\/v2\/users"}]}}