{"id":154,"name":"Elio Grazioli","url":"","description":"insegna Storia dell\u2019arte contemporanea all\u2019Universit\u00e0 di Bergamo; dirige con Marco Belpoliti la collana \u201cRiga\u201d per l\u2019editore Quodlibet, per la quale ha curato diversi volumi monografici dedicati ad artisti contemporanei (Giacometti, Duchamp, Brancusi, Picasso, Picabia, Ernst, Cattelan); collabora al sito doppiozero.com. Tra le sue pubblicazioni recenti: \u201cInfrasottile. L\u2019arte contemporanea ai limiti\u201d (Postmedia Books 2018), \u201cLuca Maria Patella disvelato\u201d (Quodlibet 2020), \u201cArte e telepatia\u201d (Postmedia Books 2021), \u201cAlbum. L\u2019arte contemporanea per sovrapposizioni\u201d (Johan &amp; Levi 2022).","link":"https:\/\/antinomie.it\/index.php\/author\/elio-grazioli\/","slug":"elio-grazioli","avatar_urls":{"24":"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2022\/12\/Elio-Grazioli-profilo.jpg?resize=150%2C150&ssl=1","48":"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2022\/12\/Elio-Grazioli-profilo.jpg?resize=150%2C150&ssl=1","96":"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2022\/12\/Elio-Grazioli-profilo.jpg?resize=150%2C150&ssl=1"},"meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Elio Grazioli, Author at Antinomie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/antinomie.it\/index.php\/author\/elio-grazioli\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"profile\" \/>\n<meta property=\"og:title\" content=\"Elio Grazioli, Author at Antinomie\" \/>\n<meta property=\"og:url\" content=\"https:\/\/antinomie.it\/index.php\/author\/elio-grazioli\/\" \/>\n<meta property=\"og:site_name\" content=\"Antinomie\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2022\/12\/Elio-Grazioli-profilo.jpg?fit=400%2C395&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"395\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@antinomie_it\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"ProfilePage\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/elio-grazioli\\\/\",\"url\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/elio-grazioli\\\/\",\"name\":\"Elio Grazioli, Author at Antinomie\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/#website\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/elio-grazioli\\\/#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/elio-grazioli\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/index.php\\\/author\\\/elio-grazioli\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/antinomie.it\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Archives for Elio Grazioli\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/#website\",\"url\":\"https:\\\/\\\/antinomie.it\\\/\",\"name\":\"Antinomie\",\"description\":\"scritture e immagini\",\"publisher\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/antinomie.it\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/#organization\",\"name\":\"Antinomie\",\"url\":\"https:\\\/\\\/antinomie.it\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/antinomie.it\\\/wp-content\\\/uploads\\\/2023\\\/05\\\/logo_antinomie_cerchio.png?fit=3543%2C3543&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/antinomie.it\\\/wp-content\\\/uploads\\\/2023\\\/05\\\/logo_antinomie_cerchio.png?fit=3543%2C3543&ssl=1\",\"width\":3543,\"height\":3543,\"caption\":\"Antinomie\"},\"image\":{\"@id\":\"https:\\\/\\\/antinomie.it\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/antinomie.it\\\/\",\"https:\\\/\\\/x.com\\\/antinomie_it\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/antinomie.it\\\/#\\\/schema\\\/person\\\/92226a8a7fa2ef7d85d7d532288441e6\",\"name\":\"Elio Grazioli\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/64c78b31837e0da349f969c5579d49ced45d397d170b599c7540f586daab52e1?s=96&d=blank&r=g4b900050316ded1ac654654266bbe270\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/64c78b31837e0da349f969c5579d49ced45d397d170b599c7540f586daab52e1?s=96&d=blank&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/64c78b31837e0da349f969c5579d49ced45d397d170b599c7540f586daab52e1?s=96&d=blank&r=g\",\"caption\":\"Elio Grazioli\"},\"description\":\"insegna Storia dell\u2019arte contemporanea all\u2019Universit\u00e0 di Bergamo; dirige con Marco Belpoliti la collana \u201cRiga\u201d per l\u2019editore Quodlibet, per la quale ha curato diversi volumi monografici dedicati ad artisti contemporanei (Giacometti, Duchamp, Brancusi, Picasso, Picabia, Ernst, Cattelan); collabora al sito doppiozero.com. Tra le sue pubblicazioni recenti: \u201cInfrasottile. L\u2019arte contemporanea ai limiti\u201d (Postmedia Books 2018), \u201cLuca Maria Patella disvelato\u201d (Quodlibet 2020), \u201cArte e telepatia\u201d (Postmedia Books 2021), \u201cAlbum. 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