{"id":9663,"date":"2020-08-10T00:01:39","date_gmt":"2020-08-09T22:01:39","guid":{"rendered":"http:\/\/antinomie.it\/?p=9663"},"modified":"2024-06-06T16:16:36","modified_gmt":"2024-06-06T14:16:36","slug":"pesaro","status":"publish","type":"post","link":"https:\/\/antinomie.it\/index.php\/2020\/08\/10\/pesaro\/","title":{"rendered":"Pesaro","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"\n<p class=\"has-drop-cap wp-block-paragraph\"><em>La luce non conosce contrario. Soprattutto, la notte non \u00e8 il suo contrario.<\/em> Ma ora che ho nutrito la legge della mano sinistra, come un bivacco dello sguardo, ora che l\u2019ustione ha sbiancato l\u2019esodo delle palpebre per conservare luminosa la preistoria delle stelle, ora e soltanto ora posso scriverti che lo Schermo \u00e8 un transito delebile, l\u2019insegna di una regione ancora straniera, il pozzo senz\u2019acqua [&#8230;] dove hai scavato col forcipe umido delle pupille.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cos\u00ec, nella grafia solcata, nell\u2019oasi della dimenticanza \u00e8 il dissomigliare degli occhi, e lo stormo di cenere che nella mano trasmigra sin dall\u2019origine incompiuta di questo andare nell\u2019immagine.<\/p>\n\n\n\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><em>In copertina: una cartolina tratta dal film \u201cUbi Amor Ibi Oculus\u201d di Giorgiomaria Cornelio e Lucamatteo Rossi, inviata in occasione della 56\u00b0 edizione della Mostra Internazionale del Nuovo Cinema di Pesaro (Beato Angelico, Cristo deriso, 1438-1440)<\/em><\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>Ora che ho nutrito la legge della mano sinistra, come un bivacco dello sguardo, ora che l\u2019ustione ha sbiancato l\u2019esodo delle palpebre per conservare luminosa la preistoria delle stelle, ora e soltanto ora posso scriverti&#8230;<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":122,"featured_media":9664,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[691],"tags":[722,118,495,723],"coauthors":[1907],"class_list":["post-9663","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-carte-postale","tag-beato-angelico","tag-cinema","tag-giorgiomaria-cornelio","tag-pesaro","style--link-2"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - 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