{"id":11274,"date":"2020-09-27T23:00:25","date_gmt":"2020-09-27T21:00:25","guid":{"rendered":"http:\/\/antinomie.it\/?p=11274"},"modified":"2024-06-06T16:39:44","modified_gmt":"2024-06-06T14:39:44","slug":"ritratti-dal-mare-1459-2020","status":"publish","type":"post","link":"https:\/\/antinomie.it\/index.php\/2020\/09\/27\/ritratti-dal-mare-1459-2020\/","title":{"rendered":"Ritratti dal mare (1459-2020)","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/antinomie.it\/wp-content\/uploads\/2020\/09\/01-cropped-h-1100-1024x681.jpg\" alt=\"\" class=\"wp-image-11338 lazyload\"><noscript><img data-recalc-dims=\"1\" loading=\"lazy\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"681\" src=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/01-cropped-h-1100.jpg?resize=1024%2C681&#038;ssl=1\" alt=\"\" class=\"wp-image-11338\" srcset=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/01-cropped-h-1100.jpg?resize=1024%2C681&amp;ssl=1 1024w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/01-cropped-h-1100.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/01-cropped-h-1100.jpg?resize=768%2C511&amp;ssl=1 768w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/01-cropped-h-1100.jpg?resize=1536%2C1022&amp;ssl=1 1536w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/01-cropped-h-1100.jpg?resize=60%2C40&amp;ssl=1 60w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/01-cropped-h-1100.jpg?resize=720%2C480&amp;ssl=1 720w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/01-cropped-h-1100.jpg?resize=480%2C319&amp;ssl=1 480w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/01-cropped-h-1100.jpg?w=1654&amp;ssl=1 1654w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/noscript><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/antinomie.it\/wp-content\/uploads\/2020\/09\/02-1024x629.jpg\" alt=\"\" class=\"wp-image-11339 lazyload\"><noscript><img data-recalc-dims=\"1\" loading=\"lazy\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"629\" src=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/02.jpg?resize=1024%2C629&#038;ssl=1\" alt=\"\" class=\"wp-image-11339\" srcset=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/02.jpg?resize=1024%2C629&amp;ssl=1 1024w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/02.jpg?resize=300%2C184&amp;ssl=1 300w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/02.jpg?resize=768%2C472&amp;ssl=1 768w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/02.jpg?resize=1536%2C944&amp;ssl=1 1536w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/02.jpg?resize=60%2C37&amp;ssl=1 60w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/02.jpg?resize=480%2C295&amp;ssl=1 480w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/02.jpg?w=1654&amp;ssl=1 1654w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/noscript><\/figure>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/antinomie.it\/wp-content\/uploads\/2020\/09\/Lotto_pala_di_santa_lucia_00.jpeg\" alt=\"\" class=\"wp-image-11341 lazyload\" width=\"481\" height=\"603\"><noscript><img data-recalc-dims=\"1\" loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Lotto_pala_di_santa_lucia_00.jpeg?resize=481%2C603&#038;ssl=1\" alt=\"\" class=\"wp-image-11341\" width=\"481\" height=\"603\" srcset=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Lotto_pala_di_santa_lucia_00.jpeg?w=481&amp;ssl=1 481w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Lotto_pala_di_santa_lucia_00.jpeg?resize=239%2C300&amp;ssl=1 239w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Lotto_pala_di_santa_lucia_00.jpeg?resize=60%2C75&amp;ssl=1 60w\" sizes=\"auto, (max-width: 481px) 100vw, 481px\" \/><\/noscript><figcaption>Lorenzo Lotto, <em>Una ragazza bambara in ginocchio<\/em>, 1532<br>olio su tavola, 237 x 243 cm, Jesi, Pinacoteca civica<\/figcaption><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/antinomie.it\/wp-content\/uploads\/2020\/09\/03-1024x612.jpg\" alt=\"\" class=\"wp-image-11344 lazyload\"><noscript><img data-recalc-dims=\"1\" loading=\"lazy\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"612\" src=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/03.jpg?resize=1024%2C612&#038;ssl=1\" alt=\"\" class=\"wp-image-11344\" srcset=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/03.jpg?resize=1024%2C612&amp;ssl=1 1024w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/03.jpg?resize=300%2C179&amp;ssl=1 300w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/03.jpg?resize=768%2C459&amp;ssl=1 768w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/03.jpg?resize=1536%2C918&amp;ssl=1 1536w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/03.jpg?resize=60%2C36&amp;ssl=1 60w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/03.jpg?resize=480%2C287&amp;ssl=1 480w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/03.jpg?w=1654&amp;ssl=1 1654w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/noscript><\/figure>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/antinomie.it\/wp-content\/uploads\/2020\/09\/Tiziano-senza-bordo.jpg\" alt=\"\" class=\"wp-image-11349 lazyload\"><noscript><img data-recalc-dims=\"1\" loading=\"lazy\" loading=\"lazy\" decoding=\"async\" width=\"673\" height=\"849\" src=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Tiziano-senza-bordo.jpg?resize=673%2C849&#038;ssl=1\" alt=\"\" class=\"wp-image-11349\" srcset=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Tiziano-senza-bordo.jpg?w=673&amp;ssl=1 673w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Tiziano-senza-bordo.jpg?resize=238%2C300&amp;ssl=1 238w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Tiziano-senza-bordo.jpg?resize=60%2C76&amp;ssl=1 60w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Tiziano-senza-bordo.jpg?resize=480%2C606&amp;ssl=1 480w\" sizes=\"auto, (max-width: 673px) 100vw, 673px\" \/><\/noscript><figcaption>Tiziano Vecellio, <em>Un<\/em> <em>bambino mandinka di profilo<\/em>, 1520-25<br>olio su tela, 119 x 93 cm, Kreuzlingen, Collezione Kisters<\/figcaption><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/antinomie.it\/wp-content\/uploads\/2020\/09\/04-1-1024x553.jpg\" alt=\"\" class=\"wp-image-11352 lazyload\"><noscript><img data-recalc-dims=\"1\" loading=\"lazy\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"553\" src=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/04-1.jpg?resize=1024%2C553&#038;ssl=1\" alt=\"\" class=\"wp-image-11352\" srcset=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/04-1.jpg?resize=1024%2C553&amp;ssl=1 1024w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/04-1.jpg?resize=300%2C162&amp;ssl=1 300w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/04-1.jpg?resize=768%2C415&amp;ssl=1 768w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/04-1.jpg?resize=1536%2C829&amp;ssl=1 1536w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/04-1.jpg?resize=60%2C32&amp;ssl=1 60w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/04-1.jpg?resize=480%2C259&amp;ssl=1 480w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/04-1.jpg?w=1654&amp;ssl=1 1654w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/noscript><\/figure>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/antinomie.it\/wp-content\/uploads\/2020\/09\/Giuliani-copy.jpeg\" alt=\"\" class=\"wp-image-11353 lazyload\"><noscript><img data-recalc-dims=\"1\" loading=\"lazy\" loading=\"lazy\" decoding=\"async\" width=\"462\" height=\"640\" src=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Giuliani-copy.jpeg?resize=462%2C640&#038;ssl=1\" alt=\"\" class=\"wp-image-11353\" srcset=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Giuliani-copy.jpeg?w=462&amp;ssl=1 462w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Giuliani-copy.jpeg?resize=217%2C300&amp;ssl=1 217w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Giuliani-copy.jpeg?resize=60%2C83&amp;ssl=1 60w\" sizes=\"auto, (max-width: 462px) 100vw, 462px\" \/><\/noscript><figcaption>Bartolomeo Passarotti, <em>Ragazzo berbero con la lettera<\/em>, 1579<br>olio su tela, 121 x 92.2 cm, Manchester Art Gallery<\/figcaption><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/antinomie.it\/wp-content\/uploads\/2020\/09\/05-1-1024x617.jpg\" alt=\"\" class=\"wp-image-11355 lazyload\"><noscript><img data-recalc-dims=\"1\" loading=\"lazy\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"617\" src=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/05-1.jpg?resize=1024%2C617&#038;ssl=1\" alt=\"\" class=\"wp-image-11355\" srcset=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/05-1.jpg?resize=1024%2C617&amp;ssl=1 1024w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/05-1.jpg?resize=300%2C181&amp;ssl=1 300w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/05-1.jpg?resize=768%2C463&amp;ssl=1 768w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/05-1.jpg?resize=1536%2C926&amp;ssl=1 1536w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/05-1.jpg?resize=60%2C36&amp;ssl=1 60w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/05-1.jpg?resize=480%2C289&amp;ssl=1 480w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/05-1.jpg?w=1654&amp;ssl=1 1654w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/noscript><\/figure>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/antinomie.it\/wp-content\/uploads\/2020\/09\/Annibale_Carracci_attrib._Portrait_4of_an_African_Slave_Woman_ca._1580s._Oil_on_canvas_60_x_39_x_2_cm_fragment_of_a_larger_painting.jpeg\" alt=\"\" class=\"wp-image-11356 lazyload\"><noscript><img data-recalc-dims=\"1\" loading=\"lazy\" loading=\"lazy\" decoding=\"async\" width=\"408\" height=\"640\" src=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Annibale_Carracci_attrib._Portrait_4of_an_African_Slave_Woman_ca._1580s._Oil_on_canvas_60_x_39_x_2_cm_fragment_of_a_larger_painting.jpeg?resize=408%2C640&#038;ssl=1\" alt=\"\" class=\"wp-image-11356\" srcset=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Annibale_Carracci_attrib._Portrait_4of_an_African_Slave_Woman_ca._1580s._Oil_on_canvas_60_x_39_x_2_cm_fragment_of_a_larger_painting.jpeg?w=408&amp;ssl=1 408w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Annibale_Carracci_attrib._Portrait_4of_an_African_Slave_Woman_ca._1580s._Oil_on_canvas_60_x_39_x_2_cm_fragment_of_a_larger_painting.jpeg?resize=191%2C300&amp;ssl=1 191w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Annibale_Carracci_attrib._Portrait_4of_an_African_Slave_Woman_ca._1580s._Oil_on_canvas_60_x_39_x_2_cm_fragment_of_a_larger_painting.jpeg?resize=60%2C94&amp;ssl=1 60w\" sizes=\"auto, (max-width: 408px) 100vw, 408px\" \/><\/noscript><figcaption>Annibale Carracci, <em>Donna akan con orecchino di perla<\/em>, 1583-85<br>olio su tela, 60 x 39.5 cm, Collezione privata<\/figcaption><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/antinomie.it\/wp-content\/uploads\/2020\/09\/06-1-1024x579.jpg\" alt=\"\" class=\"wp-image-11358 lazyload\"><noscript><img data-recalc-dims=\"1\" loading=\"lazy\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"579\" src=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/06-1.jpg?resize=1024%2C579&#038;ssl=1\" alt=\"\" class=\"wp-image-11358\" srcset=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/06-1.jpg?resize=1024%2C579&amp;ssl=1 1024w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/06-1.jpg?resize=300%2C170&amp;ssl=1 300w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/06-1.jpg?resize=768%2C435&amp;ssl=1 768w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/06-1.jpg?resize=1536%2C869&amp;ssl=1 1536w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/06-1.jpg?resize=60%2C34&amp;ssl=1 60w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/06-1.jpg?resize=480%2C272&amp;ssl=1 480w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/06-1.jpg?w=1654&amp;ssl=1 1654w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/noscript><\/figure>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/antinomie.it\/wp-content\/uploads\/2020\/09\/Accademia_-_Miracolo_della_reliquia_della_Croce_al_ponte_di_San_Lorenzo_-_Gentile_Bellini_-_cat.568-1.jpeg\" alt=\"\" class=\"wp-image-11360 lazyload\"><noscript><img data-recalc-dims=\"1\" loading=\"lazy\" loading=\"lazy\" decoding=\"async\" width=\"639\" height=\"480\" src=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Accademia_-_Miracolo_della_reliquia_della_Croce_al_ponte_di_San_Lorenzo_-_Gentile_Bellini_-_cat.568-1.jpeg?resize=639%2C480&#038;ssl=1\" alt=\"\" class=\"wp-image-11360\" srcset=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Accademia_-_Miracolo_della_reliquia_della_Croce_al_ponte_di_San_Lorenzo_-_Gentile_Bellini_-_cat.568-1.jpeg?w=639&amp;ssl=1 639w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Accademia_-_Miracolo_della_reliquia_della_Croce_al_ponte_di_San_Lorenzo_-_Gentile_Bellini_-_cat.568-1.jpeg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Accademia_-_Miracolo_della_reliquia_della_Croce_al_ponte_di_San_Lorenzo_-_Gentile_Bellini_-_cat.568-1.jpeg?resize=60%2C45&amp;ssl=1 60w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Accademia_-_Miracolo_della_reliquia_della_Croce_al_ponte_di_San_Lorenzo_-_Gentile_Bellini_-_cat.568-1.jpeg?resize=480%2C361&amp;ssl=1 480w\" sizes=\"auto, (max-width: 639px) 100vw, 639px\" \/><\/noscript><figcaption>Gentile Bellini, <em>Un uomo fula che si tuffa in mare<\/em>, 1500<br>tempera su tela, 127 x 170 cm, Venezia, Galleria dell\u2019Accademia<\/figcaption><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/antinomie.it\/wp-content\/uploads\/2020\/09\/07-1-1024x550.jpg\" alt=\"\" class=\"wp-image-11362 lazyload\"><noscript><img data-recalc-dims=\"1\" loading=\"lazy\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"550\" src=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/07-1.jpg?resize=1024%2C550&#038;ssl=1\" alt=\"\" class=\"wp-image-11362\" srcset=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/07-1.jpg?resize=1024%2C550&amp;ssl=1 1024w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/07-1.jpg?resize=300%2C161&amp;ssl=1 300w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/07-1.jpg?resize=768%2C413&amp;ssl=1 768w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/07-1.jpg?resize=1536%2C826&amp;ssl=1 1536w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/07-1.jpg?resize=60%2C32&amp;ssl=1 60w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/07-1.jpg?resize=480%2C258&amp;ssl=1 480w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/07-1.jpg?w=1654&amp;ssl=1 1654w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/noscript><\/figure>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/antinomie.it\/wp-content\/uploads\/2020\/09\/1920px-Enle\u0300vement_dHe\u0301le\u0300ne_Reni_Louvre_INV_539_02.jpeg\" alt=\"\" class=\"wp-image-11364 lazyload\"><noscript><img data-recalc-dims=\"1\" loading=\"lazy\" loading=\"lazy\" decoding=\"async\" width=\"506\" height=\"481\" src=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/1920px-Enle%CC%80vement_dHe%CC%81le%CC%80ne_Reni_Louvre_INV_539_02.jpeg?resize=506%2C481&#038;ssl=1\" alt=\"\" class=\"wp-image-11364\" srcset=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/1920px-Enle%CC%80vement_dHe%CC%81le%CC%80ne_Reni_Louvre_INV_539_02.jpeg?w=506&amp;ssl=1 506w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/1920px-Enle%CC%80vement_dHe%CC%81le%CC%80ne_Reni_Louvre_INV_539_02.jpeg?resize=300%2C285&amp;ssl=1 300w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/1920px-Enle%CC%80vement_dHe%CC%81le%CC%80ne_Reni_Louvre_INV_539_02.jpeg?resize=60%2C57&amp;ssl=1 60w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/1920px-Enle%CC%80vement_dHe%CC%81le%CC%80ne_Reni_Louvre_INV_539_02.jpeg?resize=480%2C456&amp;ssl=1 480w\" sizes=\"auto, (max-width: 506px) 100vw, 506px\" \/><\/noscript><figcaption>Guido Reni, <em>Un ragazzo sara che guarda il sole<\/em>, 1626-29<br>olio su tela, 253 x 265 cm, Museo del Louvre, Parigi<\/figcaption><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/antinomie.it\/wp-content\/uploads\/2020\/09\/08-1-1024x584.jpg\" alt=\"\" class=\"wp-image-11367 lazyload\"><noscript><img data-recalc-dims=\"1\" loading=\"lazy\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"584\" src=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/08-1.jpg?resize=1024%2C584&#038;ssl=1\" alt=\"\" class=\"wp-image-11367\" srcset=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/08-1.jpg?resize=1024%2C584&amp;ssl=1 1024w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/08-1.jpg?resize=300%2C171&amp;ssl=1 300w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/08-1.jpg?resize=768%2C438&amp;ssl=1 768w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/08-1.jpg?resize=1536%2C877&amp;ssl=1 1536w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/08-1.jpg?resize=60%2C34&amp;ssl=1 60w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/08-1.jpg?resize=480%2C274&amp;ssl=1 480w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/08-1.jpg?w=1654&amp;ssl=1 1654w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/noscript><\/figure>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/antinomie.it\/wp-content\/uploads\/2020\/09\/Gozolli.jpeg\" alt=\"\" class=\"wp-image-11368 lazyload\"><noscript><img data-recalc-dims=\"1\" loading=\"lazy\" loading=\"lazy\" decoding=\"async\" width=\"613\" height=\"480\" src=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Gozolli.jpeg?resize=613%2C480&#038;ssl=1\" alt=\"\" class=\"wp-image-11368\" srcset=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Gozolli.jpeg?w=613&amp;ssl=1 613w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Gozolli.jpeg?resize=300%2C235&amp;ssl=1 300w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Gozolli.jpeg?resize=60%2C47&amp;ssl=1 60w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Gozolli.jpeg?resize=480%2C376&amp;ssl=1 480w\" sizes=\"auto, (max-width: 613px) 100vw, 613px\" \/><\/noscript><figcaption>Benozzo Gozzoli, <em>Un uomo yoruba in veste d\u2019arciere<\/em>, 1459-60<br>affresco (dettaglio) Firenze, Palazzo Medici-Ricciardi<\/figcaption><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/antinomie.it\/wp-content\/uploads\/2020\/09\/09-1-1024x579.jpg\" alt=\"\" class=\"wp-image-11370 lazyload\"><noscript><img data-recalc-dims=\"1\" loading=\"lazy\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"579\" src=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/09-1.jpg?resize=1024%2C579&#038;ssl=1\" alt=\"\" class=\"wp-image-11370\" srcset=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/09-1.jpg?resize=1024%2C579&amp;ssl=1 1024w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/09-1.jpg?resize=300%2C170&amp;ssl=1 300w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/09-1.jpg?resize=768%2C435&amp;ssl=1 768w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/09-1.jpg?resize=1536%2C869&amp;ssl=1 1536w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/09-1.jpg?resize=60%2C34&amp;ssl=1 60w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/09-1.jpg?resize=480%2C272&amp;ssl=1 480w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/09-1.jpg?w=1654&amp;ssl=1 1654w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/noscript><\/figure>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/antinomie.it\/wp-content\/uploads\/2020\/09\/Anton_Domenico_Gabbiani_-_Portrait_of_Three_Musicians_of_the_Medici_Court_-_WGA08360-copy.jpeg\" alt=\"\" class=\"wp-image-11372 lazyload\"><noscript><img data-recalc-dims=\"1\" loading=\"lazy\" loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"431\" src=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Anton_Domenico_Gabbiani_-_Portrait_of_Three_Musicians_of_the_Medici_Court_-_WGA08360-copy.jpeg?resize=640%2C431&#038;ssl=1\" alt=\"\" class=\"wp-image-11372\" srcset=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Anton_Domenico_Gabbiani_-_Portrait_of_Three_Musicians_of_the_Medici_Court_-_WGA08360-copy.jpeg?w=640&amp;ssl=1 640w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Anton_Domenico_Gabbiani_-_Portrait_of_Three_Musicians_of_the_Medici_Court_-_WGA08360-copy.jpeg?resize=300%2C202&amp;ssl=1 300w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Anton_Domenico_Gabbiani_-_Portrait_of_Three_Musicians_of_the_Medici_Court_-_WGA08360-copy.jpeg?resize=60%2C40&amp;ssl=1 60w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Anton_Domenico_Gabbiani_-_Portrait_of_Three_Musicians_of_the_Medici_Court_-_WGA08360-copy.jpeg?resize=480%2C323&amp;ssl=1 480w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/noscript><figcaption>Anton Domenico Gabbani, <em>Ragazza mossi con un pappagallo<\/em>, 1687<br>olio su tela, 55.5 x 81.8 cm, Firenze, Galleria dell\u2019Accademia<\/figcaption><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/antinomie.it\/wp-content\/uploads\/2020\/09\/10-1-1024x597.jpg\" alt=\"\" class=\"wp-image-11374 lazyload\"><noscript><img data-recalc-dims=\"1\" loading=\"lazy\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"597\" src=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/10-1.jpg?resize=1024%2C597&#038;ssl=1\" alt=\"\" class=\"wp-image-11374\" srcset=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/10-1.jpg?resize=1024%2C597&amp;ssl=1 1024w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/10-1.jpg?resize=300%2C175&amp;ssl=1 300w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/10-1.jpg?resize=768%2C448&amp;ssl=1 768w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/10-1.jpg?resize=1536%2C895&amp;ssl=1 1536w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/10-1.jpg?resize=60%2C35&amp;ssl=1 60w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/10-1.jpg?resize=480%2C280&amp;ssl=1 480w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/10-1.jpg?w=1654&amp;ssl=1 1654w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/noscript><\/figure>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/antinomie.it\/wp-content\/uploads\/2020\/09\/Paolo_Veronese_-_Mose\u0300_salvato_dalle_acque_-_Museo_Prado_-_Madrid-copy.jpeg\" alt=\"\" class=\"wp-image-11376 lazyload\"><noscript><img data-recalc-dims=\"1\" loading=\"lazy\" loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"634\" src=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Paolo_Veronese_-_Mose%CC%80_salvato_dalle_acque_-_Museo_Prado_-_Madrid-copy.jpeg?resize=480%2C634&#038;ssl=1\" alt=\"\" class=\"wp-image-11376\" srcset=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Paolo_Veronese_-_Mose%CC%80_salvato_dalle_acque_-_Museo_Prado_-_Madrid-copy.jpeg?w=480&amp;ssl=1 480w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Paolo_Veronese_-_Mose%CC%80_salvato_dalle_acque_-_Museo_Prado_-_Madrid-copy.jpeg?resize=227%2C300&amp;ssl=1 227w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/Paolo_Veronese_-_Mose%CC%80_salvato_dalle_acque_-_Museo_Prado_-_Madrid-copy.jpeg?resize=60%2C79&amp;ssl=1 60w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/noscript><figcaption>Paolo Veronese, <em>Giovane igbo che siede accovacciato<\/em>, 1581-82<br>olio su tela, 58 x 44.5 cm, Washington, National Gallery of Art<\/figcaption><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/antinomie.it\/wp-content\/uploads\/2020\/09\/11-1024x614.jpg\" alt=\"\" class=\"wp-image-11378 lazyload\"><noscript><img data-recalc-dims=\"1\" loading=\"lazy\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"614\" src=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/11.jpg?resize=1024%2C614&#038;ssl=1\" alt=\"\" class=\"wp-image-11378\" srcset=\"https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/11.jpg?resize=1024%2C614&amp;ssl=1 1024w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/11.jpg?resize=300%2C180&amp;ssl=1 300w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/11.jpg?resize=768%2C461&amp;ssl=1 768w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/11.jpg?resize=1536%2C921&amp;ssl=1 1536w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/11.jpg?resize=60%2C36&amp;ssl=1 60w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/11.jpg?resize=480%2C288&amp;ssl=1 480w, https:\/\/i0.wp.com\/antinomie.it\/wp-content\/uploads\/2020\/09\/11.jpg?w=1654&amp;ssl=1 1654w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/noscript><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:15px\"><em>Leggi anche: <\/em><a href=\"https:\/\/antinomie.it\/index.php\/2020\/09\/27\/gian-maria-annovi-la-palpebra-rovesciata\/\" target=\"_blank\" rel=\"noreferrer noopener\">Gian Maria Annovi, la palpebra rovesciata<\/a><em>, di Andrea Cortellessa<\/em><\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"<p>stanno come pane gettato \/ sull\u2019acqua \/ ceste colme di ossa leggere<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":193,"featured_media":11391,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[196],"tags":[810,162],"coauthors":[1894],"class_list":["post-11274","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expanded-poetry","tag-gian-maria-annovi","tag-poesia","style--link-2"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ritratti dal mare (1459-2020) - Gian Maria Annovi<\/title>\n<meta name=\"description\" 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